New tag ... storyPrompt.

Updates

2 files changed, 15 insertions, 8 deletions

diff --git a/faith/adamson-and-shakespeare.rst b/faith/adamson-and-shakespeare.rst
index 2317603..fe49919 100644
--- a/faith/adamson-and-shakespeare.rst
+++ b/faith/adamson-and-shakespeare.rst
@@ -75,3 +75,10 @@ There were few points where I would like to comment on:
 
 .. _AO3:
    https://archiveofourown.org
+
+-----
+
+See also https://youtu.be/PTBK1M9tBmY … how Shakespeare’s
+historical plays are much more important for our understanding
+of The Wars of Roses (which are extremely advantageous for the
+Tudors’ then in power) than what actually happened.
diff --git a/faith/their_finest.rst b/faith/their_finest.rst
index 0dff4af..5599066 100644
--- a/faith/their_finest.rst
+++ b/faith/their_finest.rst
@@ -22,14 +22,14 @@ scriptwriting.
   … it wasn’t.” The film can follow without any change … angry
   Catrin leaves and throws away her ring to the dustbin.
 
-* Czech writer Karel Čapek once wrote an essay about when reading
-  a story he has always trouble to decide whether the death in
-  the film is rising from the internal necessity of the plot, or
-  whether the author just didn’t know what to do. I am really
-  afraid that the Tom’s death is from the second category, mortem
-  ex machina. The author wanted tear-jerking finale, so he just
-  got rid of the main lover. And of course, if Tom should be got
-  rid off, then a thousand-ponder would work much better, than
+* Czech writer Karel Čapek once wrote an essay, how he was always
+  feeling uncertain whether a death in a story is rising from
+  the internal necessity of the plot, or whether the author just
+  didn’t know what to do with a character. I am really afraid
+  that the Tom’s death is from the second category, *mortem ex
+  machina*. The author wanted tear-jerking finale, so he just
+  got rid of the main lover. And of course, if Tom should be
+  eliminated, then a thousand-ponder would work much better, than
   random stage piece.
 
 .. _`Their Finest`: