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Diffstat (limited to 'faith/their_finest.rst')
-rw-r--r-- | faith/their_finest.rst | 16 |
1 files changed, 8 insertions, 8 deletions
diff --git a/faith/their_finest.rst b/faith/their_finest.rst index 0dff4af..5599066 100644 --- a/faith/their_finest.rst +++ b/faith/their_finest.rst @@ -22,14 +22,14 @@ scriptwriting. … it wasn’t.” The film can follow without any change … angry Catrin leaves and throws away her ring to the dustbin. -* Czech writer Karel Čapek once wrote an essay about when reading - a story he has always trouble to decide whether the death in - the film is rising from the internal necessity of the plot, or - whether the author just didn’t know what to do. I am really - afraid that the Tom’s death is from the second category, mortem - ex machina. The author wanted tear-jerking finale, so he just - got rid of the main lover. And of course, if Tom should be got - rid off, then a thousand-ponder would work much better, than +* Czech writer Karel Čapek once wrote an essay, how he was always + feeling uncertain whether a death in a story is rising from + the internal necessity of the plot, or whether the author just + didn’t know what to do with a character. I am really afraid + that the Tom’s death is from the second category, *mortem ex + machina*. The author wanted tear-jerking finale, so he just + got rid of the main lover. And of course, if Tom should be + eliminated, then a thousand-ponder would work much better, than random stage piece. .. _`Their Finest`: |