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-How not to use your character as a mouthpiece
-#############################################
-
-:date: 2021-02-11T09:27:17
-:category: faith
-:tags: harryPotter, blogComment
-
-(my contribution on the thread “`Using your character as a mouth
-piece`_” by Snoo)
-
-If you are interested in the theory of writing, then I have to
-suggest to you two very obscure and old books (yes, old books are
-quite often better than the new ones): “`The Mind of the Maker`_”
-by Dorothy L. Sayers (yes, the author of detective stories with
-Lord Peter Wimsey, so she knew one or two things about writing)
-and “`How Not to Write a Play`_” by Walter Kerr (he was the chief
-theatre critic of The New York Times long time ago). The first
-one is probably very hard to digest for some (it uses the analogy
-with the Trinitarian Theology), so let me summarize what I mean:
-
-Every story should be about `how the hero got from A to B`_: how
-a young abused orphaned boy found his way to find peaceful and
-loving life while defeating the worst wizard of his times; how
-the young Danish prince found the courage to revenge the murder
-of his own father; how a boy and a girl from two families which
-hated each other found love and finally were killed by that
-hatred. There are some requirements for the good story
-I described in the linked blog post (using the Kerr’s theory;
-namely, it shouldn’t skip the story itself as many fanfics do),
-but there is also more: the hero has to get there on his/her own,
-the author cannot pull him there against his will and powers.
-That’s the clear sign of problems with writing, when suddenly
-`characters start to behave like an idiots just to keep the plot
-together`_: all characters have to get from A to B because of
-their own decision, ruled by their own decisions, not because the
-author needs to make them these decisions.
-
-Subset of this problem is when not only heroes of a story behave
-out of their character, but even worse when their behaviour is
-driven by the author’s opinions more than by their intrinsic
-decisions. Juliet is not in love with Romeo because she would be
-in love with him, but because she needs to show how it is bad to
-marry as a teenager (and thus making bad decisions, as teenagers
-do); Hamlet doesn’t struggle with his path to kill the ruling
-king, because of moral problems, but because he wants to preach
-to us how his mother is just a tool in the misogynistic world.
-And yes, somebody mentioned “`Atlas Shrugged`_” by Ayn Rand,
-which is an horrible example of the sermon on extreme
-individualism pretending to be a novel. Or even worse, when in
-every other Indy!Harry story, a reader suspects his not behaving
-out of his own heart, but because the author wants him to preach
-the author’s relational problems with his father (while shouting
-at Dumbledore).
-
-And yes, every books has a message, but see for example
-“`Fahrenheit 451`_” by Ray Bradbury (one of the best short novels
-of all times, I believe). It has a message as well, but first it
-is rather complicated to say what the message really is and to be
-honest to the story. More importantly though, heroes of the story
-never shout out the message to us (actually, the main hero of the
-story works most of the time professionally against the message),
-you are just lead to find it on your own.
-
-.. _`Using your character as a mouth piece`:
- https://www.reddit.com/r/HPfanfiction/comments/lha0ag/using_your_character_as_a_mouth_piece/?utm_source=share&utm_medium=web2x&context=3
-
-.. _`The Mind of the Maker`:
- https://www.fadedpage.com/showbook.php?pid=20140909
-
-.. _`How Not to Write a Play`:
- https://en.wikipedia.org/wiki/How_Not_to_Write_a_Play
-
-.. _`how the hero got from A to B`:
- {filename}what-wrong-with-Ginny.rst
-
-.. _`characters start to behave like an idiots just to keep the plot together`:
- {filename}augurey.rst
-
-.. _`Atlas Shrugged`:
- https://en.wikipedia.org/wiki/Atlas_Shrugged
-
-.. _`Fahrenheit 451`:
- https://en.wikipedia.org/wiki/Fahrenheit_451
-