summaryrefslogtreecommitdiffstats
path: root/literature/loving-vincent.rst
diff options
context:
space:
mode:
authorMatěj Cepl <mcepl@cepl.eu>2023-08-29 11:33:49 +0200
committerMatěj Cepl <mcepl@cepl.eu>2023-08-29 11:41:14 +0200
commit9aecfe4fa1970987b93b11bceedc7327bf921e62 (patch)
tree5d3aac69636eb14d1fc284174d6762f271fba91b /literature/loving-vincent.rst
parent027531aa7da2f849ec9e13220ad5255f15ec83bc (diff)
downloadblog-source-9aecfe4fa1970987b93b11bceedc7327bf921e62.tar.gz
New category: "literature"
Diffstat (limited to 'literature/loving-vincent.rst')
-rw-r--r--literature/loving-vincent.rst63
1 files changed, 63 insertions, 0 deletions
diff --git a/literature/loving-vincent.rst b/literature/loving-vincent.rst
new file mode 100644
index 0000000..79700d2
--- /dev/null
+++ b/literature/loving-vincent.rst
@@ -0,0 +1,63 @@
+Loving Vincent
+##############
+
+:date: 2018-03-22T08:03:28
+:category: literature
+:tags: review, film
+
+Movie_ “Loving Vincent” is certainly an experience worthy of the
+tickets to go to the cinema. The main idea of it is to make
+“animated” film by painting endless number of quality oil
+paintings in the style of Vincent van Gogh about the painter
+himself. I have been warned_ that this idea is actually by far
+the strongest part of the film, and that the story of the film
+itself is by far the weakest part of it. I won’t do the spoilers
+here, but yes the end comes rather flat.
+
+The visual side has been however troubling as well. It is truly
+beautiful, there is no question about that, but this film showed
+me the great difference between pictures (especially ones in the
+tradition of post-van Gogh painting, what a irony!) and films.
+The great pictures (in all traditions, it applies
+perfectly well even to Rembrandt’s “Return of the prodigal son”)
+are best when they don’t tell the whole story, but when they are
+more a catalyst to make a viewer sit down and think her own
+story. From this point of view, van Gogh was (with a bit of
+artistic license) the first painter who stressed this role of
+pictures even more by omitting a lot of realism and leaving just
+those catalyst parts of the image.
+
+On the other hand, the biggest beauty of every film is *a story*.
+Some films are beautiful, have pretty pictures, but what makes or
+kills it is how the story is made. There is endless list of
+beautiful pictures which lack a good story (the review of this
+film points as an example to “`What Dreams May Come`_”). I don’t
+want to deal now with quality (or lack of thereof) of the story
+of this film, but I want to emphasize that perception of a film
+is quite different from the perception of a picture. This
+difference in perception made me torn to two sides by two
+different both unpleasant feelings. While beautiful pictures made
+me feel constantly “Wait! This was a beautiful picture, I would
+like to watch it properly!” I had also constantly that feeling
+that I forgot my glasses at home (no, I don’t need glasses for
+watching films yet). Images in films are not supposed to be
+abstract, thought-inducing experience, they are suppose to reveal
+and deliver a story. I had that constant feeling “I would love to
+see how this girl looks *in reality*.”
+
+So, my conclusion is that it was a great idea. I don’t care that
+much for the quality (or not) of the film as a film, or
+a detective story. It was a great experience, I came to new
+appreciation of Vincent van Gogh’s paintings, but do I welcome
+the inevitable avalanche of imitations of this film which are to
+be expected? No, I think once was enough.
+
+
+.. _Movie:
+ https://en.wikipedia.org/wiki/Loving_Vincent
+
+.. _warned:
+ https://www.rogerebert.com/reviews/loving-vincent-2017
+
+.. _`What Dreams May Come`:
+ https://www.rogerebert.com/reviews/what-dreams-may-come-1998