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author | Matěj Cepl <mcepl@cepl.eu> | 2018-10-08 00:27:44 +0200 |
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committer | Matěj Cepl <mcepl@cepl.eu> | 2018-10-08 00:27:44 +0200 |
commit | d5bc8727efcc65a3c37895a41419834cc3ca8851 (patch) | |
tree | 0f2d7f86f72d2e28fb80a0afb1d21c404ab5d8f9 /faith/aristotle-unities.rst | |
parent | d7facb69bb4763f129ce5c3a7568aab0ca7b8ec7 (diff) | |
download | blog-source-d5bc8727efcc65a3c37895a41419834cc3ca8851.tar.gz |
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diff --git a/faith/aristotle-unities.rst b/faith/aristotle-unities.rst new file mode 100644 index 0000000..5b30cf5 --- /dev/null +++ b/faith/aristotle-unities.rst @@ -0,0 +1,102 @@ +Harry Potter and Aristotle +########################## + +:date: 2018-10-07T19:54:50 +:status: draft +:category: faith +:tags: review, harryPotter + +Aristotle in the seventh and eighth chapter of his Poetics +writes: + + Now, according to our definition, Tragedy is an imitation of + an action that is complete, and whole, and of a certain + magnitude … As therefore, in the other imitative arts, the + imitation is one when the object imitated is one, so the + plot, being an imitation of an action, must imitate one + action and that a whole, the structural union of the parts + being such that, if any one of them is displaced or removed, + the whole will be disjointed and disturbed. For a thing whose + presence or absence makes no visible difference, is not an + organic part of the whole. + +Based on *Poetics* many literary critics of Renaissance and +Baroque developed theory of “`Classical Unities`_”, which then +governed most of the writing from the seventeenth century +onwards. Unfortunately, it rather quickly degraded into rather +silly discussions about unity of time and place (which were never +specifically mentioned by Aristotle as necessary, perhaps only as +commonly occurring), both of which were largely ignored not only +by the Greek writers of the classical Era, but by almost every +other writer outside of the tight confines of the seventeenth and +eighteenth century classical drama. + +Sometimes the reviews of particular theatre play went +unbelievably silly like when Shakespeare (who either didn’t know +about the Classical Unities at all, or he didn’t care about them) +was criticized that only two less known plays of his actually +follow the rules and for example most of historical plays cover +length of tens of years. + +Perhaps because of the silliness of these discussions or perhaps +because of decline of the classical education, classical unities +were mostly abandoned in its original form, even more so with the +rise of the literary styles completely unsuited for them. There +is just no way how a standard length novel could fulfil unity of +time and place. Post-Joyceeian novels drove the last nail into +the coffin of the classical unities with many extremely +non-classical variants of structure of style. + +And yet … + +In the last couple of years I read many many fanfictions on the +Internet. While reading one cannot ignore how few of them achieve +at least resemblance of quality of the normal literary works. +Certainly, the Sturgeon’s Law, that ninety percent of +everything is crap, but there are some pieces of fanfiction which +are rather good. Therefore, when I will comment and criticize +some stories, they are usually only the best ones, where their +deficiencies makes me more disappointed, because they were so +close to be very very good. + +First problem is general to almost fanfictions longer than one +chapter, and that is their excessive length. If somebody claims +that with the Internet and its endless opportunities for +self-publishing, we don’t need old publishing houses any more, +most of these stories show how in need most authors are of the +second opinion of the experienced editor. It is said that half of +the success of the French author Jules Verne was in his publisher +and editor Pierre-Jules Hetzel, who forced Verne to cut his +novels sometimes up to the half in length and sometimes +completely rewrite the main plot of the novel. When Hetzel died +in 1886, the quality of Verne’s novels went noticeably down. Mrs. +Rowling herself complained that Harry Potter and the Order of the +Phoenix was published in too much haste and a way too long for +her taste. For the record, that’s 38 chapters (average length of +HP books is 28.43 chapters). What should one think about novels +like “The Accidental Animagus” (112 chapters and it covers only +the first four years of Harry’s school, another volumes have +8 chapters, and very much unfinished third volume another 12 +chapters) or “The Arithmancer” series (84 and 82 chapters +covering the HP series time frame, and another 5 chapters of just +starting third volume)? Each of these books contains some +excellent parts, which are truly outstanding, but they contain +a lot of other parts. + +My deep suspicion is that this excessive length of fanfiction +novels are caused by the ease of writing in the computer age, +lack of editors, but also crazy idea, that novels can be +published one chapter at time. I know that many novels in history +were written in that style, when they were originally serialized, +but with existence of text editors, I believe readers expect +higher quality than what could be found in some originally +serialized novels (yes, Grimaud should be struck out of Three +Musketeers). + +---- + +However, excessive length of so many novels is by far not the +biggest problem of many fanfiction stories. + +.. _`Classical Unities`: + https://en.wikipedia.org/wiki/Classical_unities |